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MOVIE The Last Stop is my first film as a writer, director and co-producer. It was shot on September 2005 around North London. The idea of the story came from a Stereophonics' song called "I Stop To Fill My Car Up", although I altered its basic concept to convey the meaning I had in my head. Once I wrote the script, I showed it to my friend Susan, who agreed that having both worked in other people's projects, it was time we put our experience and knowledge together to work on own project. This is how 2tails productions was born and how The Last Stop begun pre-production. It took us about 6 months between jobs to put everything together and finally at the end of September we started shooting. The short was shot in 4 days around different locations in North London, including the flat I was renting at that time in Camden, an abandoned railway track in Highgate and funnily, a petrol station called Last Stop! Ironically, after the first draft, I decided to take the rain away from the story (which was present in the song), but it rained so many times that we had to find a way to put the rain back into the story! The short was edited in March 2006 and in April it was accepted at The Short Film Corner at the Cannes Film Festival 2006 so Susan and I had a taste of the glamour and madness of Cannes. After that The Last Stop was chosen for the opening night of the Portobello Film Festival Winter The Last Stop tells the story of one girl's extraordinary journey on an ordinary day. But will their paths cross again, and at what cost? (images currently anavailable) |
PRODUCTION The short film The Last Stop was filmed in September 2005 on location in and around London with a duration of 6mins and 30 seconds. Shot on DV using a SONY DSR 570, DoP Dusan Krnac used a mixture of car mounts, dolly, steadicam, and handheld shots to film the images. The story was inspired by the Stereophonics hit "I Stopped to Fill my Car Up," a song that had always struck a chord with writer/director/producer Silvia Felce. "I tapped into the sad, lonely mood of the song and started thinking about why somebody would behave the way the female character in The Last Stop does, and I started to think that sometimes people can feel alone even when they are surrounded by lots of people. As a foreigner living in London, especially at the beginning, even if you make new friends it is difficult to connect with them. I was always thinking about my friends back in Italy, hoping for them to write or phone, I was worried they'd forget about me. So I started to imagine this girl who wanted amusement, acknowledgement, who ended up going for a car ride by herself feeling very lonely." Felce explains how she inverted and changed the basic concept from the song to suit the message that she wanted to get across. "The song is written from a guy's point of view, while I was interested in seeing the story told from a girl's point of view. I thought it would be, not only scarier to have a girl kidnapped by a strange guy, but also her attitude to what is going on is far more puzzling. She doesn't have a normal reaction, and I wanted to discover why. I wanted to explore how your feelings and circumstances can lead you to manipulate a situation." The film seeks to not only connect with the audience but interact with them. "I imagined that the people she felt neglected by were represented by the audience, so there would be interaction between her and the viewers through the rear view mirror of the car, as if she were communicating her feelings to the audience through this medium." Once Felce had decided on, and written, the initial script for The Last Stop, script editor Susan Hodgetts came on board and worked with her to develop the story and hone the idea into the final shooting script. Hodgetts, who also produced the film with Felce, says "Silvia had a very strong idea and a very good expression of that idea which impressed me from the outset. I knew it would make for not only a powerful film visually and thematically but that it also had a strong theme of alienation and apathy which I felt a lot of people could identify with. I was also surprised by the incredible range of emotions that could be brought across in such a short space of time. We were lucky enough to find such great actors, Anna Wollin and David Sayers, to play the leads who could interpret these complex ideas and emotions for us so perfectly." With the script in place, DoP Dusan Krnac came on board. He says "Concerning visual approach the aim was clear, keep the camera moving and follow our leading character using car mounts, dolly, steadicam, handheld shots. This way we produced many dynamic shots supporting suspension and tension." Silvia Felce: writer / director / producer. |
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Girl |
Anna Wollin David Sayers Rosa Tranzillo Silvia Felce Susan Hodgetts Dusan Krnac Simon Ruben Neil Bruce Frederick Roll Nick Bollard Adam Abusweder Igor Gubala Peter Poole Yue Ting Chen Tallulah Radula-Scott Francesca Canducci Lucas Hewett Vincenzo Saldì Tosca Leboroni Rosie Andrews / Lucy Hunt John Bellini |
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update 24.06.2011 |
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